Two days after Andrew Hook's article
appeared in Scottish Review about the Hebridean TV series my wife and I left
Oban on the Glen Massan, a North Atlantic fishing trawler that has been
beautifully converted into a small cruise vessel.
Nothing like any cruise ship I have encountered before, this one has six guest cabins and carries an absolute maximum of a dozen passengers.
But what it has, that the big cruise ships rarely have, is magic at its very core.
Nothing like any cruise ship I have encountered before, this one has six guest cabins and carries an absolute maximum of a dozen passengers.
But what it has, that the big cruise ships rarely have, is magic at its very core.
Andy Thoms, a semi-retired architect and engineer
who with his partner Ken Grant, dreamed and then devised, designed and built
this two-boat operation, named it after a fictitious cruise line from the Para
Handy stories. The Majestic Line is a rare thing in Scotland's tourism
industry; it operates with efficiency and precision in uncertain waters that
are subject to fast-changing weathers.
Its secret lies in its ability to adapt in
other words, and it does this brilliantly because its crews are competent,
resourceful, well-trained and knowledgeable.
The magic and the mystery comes from the
places the Majestic Line takes you to – to the islands of the inner Hebrides,
to places with puffins, to the inspiration for the music of Mendelssohn, to a
little pub at Salen, to a series of sheltered anchorages, to the Well of the
North Wind, to a tiny ruined village on the Treshnish Islands. It will give you
the raw view that Robert Louis Stevenson had of the treacherous Torran Rocks,
which featured so prominently in 'Kidnapped' – and then take you ashore at the
sandy beach on Erraid where David Balfour washed up after the shipwreck. But
every cruise is different; these are just a few of the places we were taken.
There is much more though – and I know that
this is starting to read like a travelogue – but what Scotland has with this
operation is a gem. I work in the tourism industry around the world. It's not
very often that I encounter a tourism operation that instils so much enthusiasm
in its clients. Almost never do I come across one that reintroduces me to
life's essentials, that wakes me up and brings me alive like this one has just
done.
There is enlightenment and education in all
this. It comes from the discoveries; from the intimate knowledge that the crew
has of the flora and fauna, of the mythology, the legend and the history of
these western islands. None of it is rammed down your throat. It is simply
there for the asking if you're interested to find out about it.
I will mention the food because it is
outstanding. Michael Grahl, the chef on our boat, has been in the business of
providing fine cuisine for nearly 40 years. There can be few who are better at
it. The selection of mostly Scottish cheeses, presented each evening by
Alastair, the boat's engineer, was a short one-act play; superb, and sometimes
hilarious. The house wines are the same as those of the Dorchester Hotel in
London, yet without the big mark-up you'll pay down there. The bar bill – paid
at the end of the six-day cruise – was pleasantly light. And if you're lucky
enough to have the skipper we had, you might even be treated to the pipes
played in a way, and in places, that may be beyond your imagination.
Michael Elcock was born in Forres and grew
up in Edinburgh and West Africa. He emigrated to Canada when he was 21. He was
athletic director at the University of Victoria for 10 years, and then CEO of
Tourism Victoria for five
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